When the curtain goes up, how does a writer open?

Jon Rappoport: When I was 19, I was reading VERY thick beef stew with major dollops of metaphysical German gravy. Immanuel Kant, Schopenhauer, Heidegger. Long-winded? You wanted to stagger from the dining room table before you even got to the first point these guys were making. So when I happened upon DH Lawrence’s Studies in Classic American Literature, and his chapter on Edgar Allan Poe, my head lit up like a Christmas tree when I read his opening lines:

“Poe has no truck with Indians or Nature. He makes no bones about Red Brothers and Wigwams.”

BANG.

Lawrence then follows up with: “He is absolutely concerned with the disintegration-processes of his own psyche.”

Out of the blue, I was reading writing I’d never seen before. Without a fraction of a pause, staring at the page, I thought, THIS IS WHAT I WANT.”

Read on here: https://open.substack.com/pub/jonrappoport/p/when-curtain-goes-up-how-does-writer-open?r=o1vob&utm_campaign=post&utm_medium=web

Published by markskidmore

Mark Skidmore is Professor of Economics at Michigan State University where he holds the Morris Chair in State and Local Government Finance and Policy. His research focuses on topics in public finance, regional economics, and the economics of natural disasters. Mark created the Lighthouse Economics website and blog to share economic research and information relevant for navigating tumultuous times.

Leave a Reply

Discover more from Lighthouse Economics

Subscribe now to keep reading and get access to the full archive.

Continue reading